Culture
'South of North and
North of South,’ Telangana State has long been a meeting place for diverse
languages and cultures. It is easily the best example for India’s composite
culture, pluralism and inclusiveness. Located on the uplands of Deccan plateau,
Telangana is the link between the North and South of India. It is thus no
surprise that the region on the whole came to be known for its Ganga-Jamuna
Tehzeeb and the capital Hyderabad as a ‘miniature India!’.
Geography, Polity
and Economy of the region determined the culture of Telangana. Satavahanas, the
earliest known rulers of the region sowed the seeds of independent and
self-sufficient village economy, the relics of which can be felt even today. In
the medieval times, the Kakatiya dynasty's rule, between the 11th and 14th
centuries with Warangal as their capital, and subsequently the Qutub Shahis and
Asafjahis, who ruled the Hyderabad state defined the culture of the
region.
Art forms
Some classical art
forms received the royal patronage and attained finesse. However, the art forms
of the innumerable communities spread across the length and breadth of the
State give Telangana its distinct identity.
While the Kakatiya
rule led to evolution of dance forms such as Perini Sivatandavam, also
known as ‘dance of warriors’, the commoners, faced with the challenges of daily
life developed traditions of story-telling coupled with solutions to tide over
them through Golla Suddulu, Oggu Kathalu and Gotralu etc.
Several art forms
like above mingled and new forms emerged. The ubiquitous ‘Dhoom Dham’ is one
such evolved and composite art form. They generally were about the
struggle and exploitation. People adopted the old sensibilities of theatre and
art changing the content as per the case and place.
A variant of
Yakshagana, Chindu Bhagavatham is performed widely across Telangana. It is a
theater art form that combines dance, music, dialogue, costume, make-up, and
stage techniques with a unique style and form. The word ‘Chindu’ in Telugu
means ‘jump’. As their presentation is interspersed with leaps and jumps, it
gained the name of Chindu Bhagavatam. Most of the stories narrated are from
‘Bhagavatam’.
Qawali, Ghazals and
Mushairas evolved under the patronage of Qutub Shahi and the Asafjahi rulers in
and around the capital city of Hyderabad.
Festivals
The Hindu festivals
like Ugadi, Srirama Navami, Bonalu, Vinayaka Chaturthi, Dasara, Deepavali,
Sankranti, Holi, Mahashivaratri are celebrated with pomp, gaiety and devotion.
Dasara is the main festival with the epithet ‘pedda panduga.’
Bathukamma, a part
of Dasara festivities, is unique to Telangana. This colourful festival has
historic, ecological, societal and religious significance. Women clad in
glittering costumes and jewellery carry beautifully stacked Bathukammas with
flowers like Tangedu, Gunugu, Chamanti and others to the village or street’s
meeting point.
Making circles
around the assembled Bathukammas, womenfolk recite songs in a group. The songs
have their roots in Puranas, History and even in the recent political and
social developments of the particular region. The fete culminates in Saddula
Bathukamma where the villagers immerse the flower stacks in the nearby tanks
and lakes.
Bonalu is a Hindu
Festival, celebrated during the Telugu month of Ashadam (translates to June/
July of Gregorian calendar) wherein Goddess Mahakali is worshiped. The festival
is also considered a thanksgiving to the Goddess for fulfilling the desires of devotees.
As part of the
festival, Bojanam or Meal is offered to the presiding Mother Goddess. Women
prepare rice cooked with Milk, Jaggery in a Brass or Earthen Pot adorned with
Neem Leaves, Turmeric, Vermilion putting a Lighted Diya on top of the Ghatam.
An important part of
the festival is Rangam (prophecy). Women standing atop of an earthen pot
‘invokes’ goddess Mahankali onto her and turns an Oracle.
Next is Ghattam. A
copper pot is decorated in the form of Mother Goddess. The Ghattam is carried
by a priest and is taken in procession accompanied by ‘Pothurajus’ and musical
instruments like trumpets and drums for the immersion. Pothurajus are considered
the brother of Mother Goddess and are represented by well-built, bare-bodied
men, wearing a small tightly draped red dhoti and bells on ankles with turmeric
on bodies and vermilion on the foreheads.
While Ramzan is the
main festival of Muslims, Moharram too is celebrated on a large scale in
Telangana. It is known famously as ‘peerla panduga.’ Pir means Master. Many
Hindus take part in the festival.
Chirstians, mainly
in and around Hyderabad celebrate Christmas and Good Friday with great fervor
and religiosity.
Arts and Crafts
Telangana
is a great place for arts and crafts with many astounding handicrafts.
Bidri Craft
The unique art of silver engraved on metal. Black,
gold and silver coatings are applied on this. It involves various several
stages like casting, engraving, inlaying and oxidizing. The name of this art
form is derived from a town called Bidar (currently part of Karnataka) of the
erstwhile Hyderabad state.
Banjara Needle
Crafts
Banjara Needle Crafts are the traditional handmade
fabrics made by Banjaras (the tribal Gypsies) in Telangana. It is a form of
embroidery and mirror work on fabrics employing the needlecraft.
Dokra Metal
Crafts
Dhokra or Dokra is also known as bell metal craft and
is widely seen in Jainoor Mandal, Ushegaon and Chittalbori in Adilabad
district. The tribal craft produces objects like figurines, tribal gods, etc.
The work consists of folk motifs, peacocks, elephants, horses, measuring bowl,
lamp caskets and other simple art forms and traditional designs.
Nirmal Arts
The renowned Nirmal oil paintings use natural dyes for
depicting themes from the epics such as Ramayana and Mahabharata. Also, the
wood paintings and other wooden articles, has great aesthetic expression. The
origin of the Nirmal craft is traced back to the Kakatiya era. The motifs used
for Nirmal craft are floral designs and frescoes from the regions of Ajanta and
Ellora and Mughal miniatures.
Bronze Castings
Telangana is famous world-wide for its amazing Bronze
castings. While using solid casting of icons, the mould is created using
several coatings of different clays on a finished wax model. This process then
imparts fine curves to the cast image.
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